John Maus – We Must Become the Pitiless Censors of Ourselves
Tycho – Dive
Austra – Feel it Break
M83 – Hurry Up, We’re Dreaming
Real Estate – Days
Balam Acab – Wander/Wonder
The Field – Looping State of Mind
Wild Flag – Wild Flag
Hospital Ships – Lonely Twin
War on Drugs – Slave Ambient
Cults – Cults
Cut Off Your Hands – Hollow
Brown Recluse – Evening Tapestry
Unknown Mortal Orchestra – Unknown Mortal Orchestra
Gold-Bears – Are You Falling in Love?
The Men – Leave Home
Man Man – Life Fantastic
Fucked Up – David Comes to Life
Antlers – Burst Apart
Demdike Stare – Triptych
Category Archives: music
Clearing the Archives – Best Music of 2003
TOP 20
Belle & Sebastian – Dear Catastrophe Waitress
Broken Social Scene – You Forgot it in People
Calexico – Feast of Wire
Crooked Fingers – Red Devil Dawn
Delgados – Hate
Fire Theft – The Fire Theft
Grandaddy – Sumday
Jayhawks – Rainy Day Music
Ted Leo/Pharmacists – Hearts of Oak
Long Winters – When I Pretend to Fall
Mull Historical Society – Us
My Morning Jacket – It Still Moves
Nada Surf – Let Go
New Pornographers – Electric Version
Pernice Brothers – Yours, Mine and Ours
Josh Rouse – 1972
Shins – Chutes too Narrow
Super Furry Animals – Phantom Power
Thrills – So Much for the City
Wrens – Meadowlands
just bubbling under
Yo La Tengo – Summer Sun
BRMC- Take Them on Your Own
Blur – Think Tank
Nick Cave – Nocturama
Coral – Magic & Medicine
Decemberists – Her Majesty
Fountains of Wayne – Welcome Interstate Managers
East River Pipe – Garbageheads on Endless Stun
Eels – Shootenanny
Enon – Hocus Pocus
Wire – Send
GBV – Earthquake Glue
Idlewild – The Remote Part
Lilys – Precollection
Stephen Malkmus – Pig Lib
Radiohead – Hail to the Thief
Postal Service – Give Up
Raveonettes – Chain Gang of Love
Shazam – Tomorrow the World
Sloan – Action Pact
Spiritualized – Amazing Grace
Starlight Mints – Built on Squares
British Sea Power – The Decline of British Sea Power
Travis – 12 Memories
Tyde – Twice
Rufus Wainwright – Want One
Clearing the Archives – Best Music of 2007
Going back and posting my favorites from years past
TOP TEN
Band of Horses – Cease to Begin
Okkervill River – The Stage Names
Apples in Stereo – New Magnetic Wonder
Beirut – The Flying Cup Club
Caribou – Andorra
The Besnard Lakes – Are the Dark Horse
Menomena – Friend and Foe
The Mabuses – Mabused
The National – The Boxer
David Kilgour – The Far Now
TWENTY MORE I LIKE A LOT
The Shins – Wincing the Night Away
Dan Deacon – Spiderman of the Rings
Sloan – Never Hear the End of It
Pelle Carlberg – In a Nutshell
Jose Gonzales – In Our Nature
Polyphonic Spree – The Fragile Army
Animal Collective – Strawberry Jam
Spoon – Ga Ga Ga Ga Ga
Andrew Bird – Armchair Apocrypha
LCD Soundsystem – Sound of Silver
Battles – Mirrored
Of Montreal – Hissing Fauna, Are You the Destroyer?
Iron and Wine – The Shepherd’s Dog
Thurston Moore – Trees Outside the Academy
Modest Mouse – We Were Dead Before the Ship Sank
The Fall – Reformation/Post TLC
Arcade Fire – Neon Bible
Architecture in Helsinki – Places Like This
Pinback – Autumn of the Seraphs
Rogue Wave – Asleep at Heaven’s Gate
Vinyl vs Digital – Curation vs Serendipity
I love vinyl. The gorgeous covers. Gatefold sleeves. Liner notes. Inserts. The feel of a record’s sharp edge as you flip it with your fingers. There is nothing like opening a brand b]new album and hearing the pop of the needle as it hits the record for the first time.
Records are a curated experience. Two sides, each containing a suite of songs often very carefully sequenced by the artist. Yes, it was a context created by the limitations of the 12′ LP, but what a great context. Generations of music fans grew up in the late 50s, 60s, 70s and into the 80s with whole albums burned into our collective memory. We knew our favorite albums intimately and consumed them in order from track one, side one to the locking groove at the end of side two.
Some music wasn’t meant to be broken up into little bits. Great concept albums, symphonies and song cycles were produced to be heard as one extended piece. For an obvious example, you can’t really break up the songs on side two of The Beatles’ Abbey Road without sacrificing the greatness of the work. They were random song fragments blended together with a beauty and genius beyond the separate pieces.
As technology changed it was obvious that vinyl was relatively inconvenient compared to CDs. Digital music is even easier. We can copy, share, mix and match with so much ease. However, what have we lost in the way of curation and context? (I must add that I am thrilled by the resurgence of vinyl sales.)
I love digital music. It is infinitely more convenient. My entire library is stored on a drive and available at a moment’s notice. No more giant crates of vinyl or shelves of CDs. No scratch and hiss. We all get to create the best radio station ever with all our digitized tracks and/or simply use Pandora, Spotify, Turntable.FM or any of the great new online music services.
When I am working I often plug one of my way too many iPods into the dock and listen on shuffle. Today the first 10 songs were from Candi Staton, Destroy All Monsters, Let’s Active, REM, Tori Amos (sorry), Iron Maiden, Jack Logan, Elastica, Honey Cone and Link. All great songs randomly shuffled. I love the surprise and serendipity of shuffle, but sometimes miss the craft and context of a perfectly segued and sequenced record.
What do you prefer? Curated musical content or random shuffle?
Content on Shuffle
I want to explore how we discover and experience content. The intersection of search, curation and sharing under the umbrella of discovery is fascinating and constantly changing. How does it impact how we interpret the world around us and how we learn? And how does the digital world affect how we socialize and share our experiences with others?
Growing up I listened to records, watched live television, listened to live radio, read a morning or afternoon paper, watched movies in a theater and read the magazines available at the local drug or bookstore. Content was relatively scarce and distribution highly controlled. I quickly gravitated to books and music because I could control and curate my own experience.
Sharing content was difficult, but we all shared the experience, gathered around the TV at the same time. We all watched the same movies and shows and heard much of the same music. Curation was often top down. Rigid TV schedules. Highly formatted radio stations. Mass media was exactly that. Content created and curated for mass audiences.
In the 80s and 90s things began to change with the broad proliferation of cable channels, the Sony Walkman and the adoption of VCRs and DVD players among other things. Choice multiplied and so did the number of devices in any household. The common familial, social experience of media was giving way to individual experience. Not only was there more content, we could share it more easily, copying and trading music, movies and TV shows.
Today content is ubiquitous. Distribution is ubiquitous and often confusing. Our individual media experiences are unique and generally self-curated. With millions of websites, thousands of digitized songs, hundreds of DVDs, our phones, ipods and ipads filled with apps, games, music, books, movies and TV shows, plus hours of programming recorded from hundreds of channels on DVRs, how do we provide context? How do we discover and curate great media experiences?
It’s now a world of content on shuffle. So many amazing media experiences are immediately available on a multitude of platforms. We have amazing tools to share and recommend to our friends, families and social media acquaintances. How has this all redefined sharing? How has it redefined us? I look forward to hearing your thoughts.
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